Characteristics of Tāṇḍava Dance- Excerpts from 4th chapter of Natyashastra

Posted On: March 29th, 2023 by Sharmila Udupa, Bengaluru
Relevance of Pūrvaraṅga in Bharatanāṭyam

Relevance of Pūrvaraṅga in Bharatanāṭyam

Posted On: March 20th, 2023 by Seema K S, Bengaluru

SĀMĀNYA ABHINAYA- The universal gateway to rasotpatti

Posted On: March 20th, 2023 by Nagalakshmi P K, Mysore

Contemplating Daśarūpaka

Posted On: March 20th, 2023 by Nagaranjitha S, Varanasi/Kashi

The concept of Vŗtti in Nātyaśāstra

Posted On: March 20th, 2023 by Yashila Prashadh, Chennai

ರಸಾನುಭೂತಿಯೆಂಬ ಬೆಳಕು

Posted On: March 20th, 2023 by ವಿಭಾ ಕೆ. ಟಿ, ಬೆಂಗಳೂರು.

Origin of Drama/Theatre – Indian perspective

Posted On: March 20th, 2023 by Rohini Manjunath A. R, Bengaluru

What is meant by Pūrvaran͂gavidhi in Natyashastra?

Posted On: March 4th, 2023 by Mahima Harish Magadi, Bengaluru

ಸಿದ್ಧಿ ಎಂಬ ಸೌಭಾಗ್ಯ

Posted On: March 4th, 2023 by Dr Pratibha Satyanarayana, Bengaluru

Applications Invited for Internship- Śāstra Raṅga-2023

Posted On: January 15th, 2023 by Editor